• Sheet of photographic paper of 35 thumbnail images you create in the darkroom. (Contact Sheet)• Strip with multiple exposures created to decide what the correct exposure (Test Strip)• What do you use in the darkroom to create your photos (Enlarger)• Accordian part of the device that helps focus the image create images in the darkroom (Bellows)• Use ink to get rid of white dots or dust on your print (Spotting)• Multiple frames of the same picture using different exposures (Bracketing)• Device to check if you your image will be printed sharp or in focus (Grain Focuser)• Thing we created to present your pictures (Window Matte)• Non shiny side of the film (Emulsion)
MEMORIZE APERTURES
2.8, 4, 5.6, 8, 11, 16, 22
MEMORIZE SHUTTERSPEEDS
1, 2, 4, 8, 15, 30, 60, 125, 250, 500, 1000
EQUIVELENT APERTURE AND SHUTTER SPEED QUESTION
If the aperture is 11 at shutter speed 125 and you change the aperture to 22 what will be your shutter speed if you want an equivalent exposure? ANSWER SHUTTER SPEED 30
If the shutter speed is 125 and aperture 16 and I change the shutter speed to 1000 what will be my aperture? ANSWER 5.6
• What controls the amount light that exposes film or your sensor? APERTURE
• What controls the amount of time that light exposes your film or sensor? SHUTTER SPEED
• What camera feature measures the intensity of light present in the scene? METER
• Film or sensor's sensitivity to light? FILM SPEED / ISO
• As ISO number becomes larger what are the consequences? MORE GRAIN AND MORE SENSITIVE TO LIGHT
• Chemicals in the darkroom:
1st tray developer reveals the image
2nd tray STOP BATH halts development
3rd tray FIXER makes image light resistant and permanent
4th tray WATER BATH removes remaining fixer and becomes archival
• Add light to print to make a section darker? BURNING
• Subtract or block light to make a section lighter? DODGING
• Contrast filters which direction in number increases or decreases contrast? Filter 1 will decrease vs Filter 5 increase contrast
CAMERA MODES
AV / A (Aperture Priority)
TV / S (Shutter Priority)
P (Program)
M (Manual)
Meter Modes
1. Spot (Small circle in rectangle)
2. Evaluative/Matrix (Grid)
3. Center Weighted (Large circle in rectangle)
• Chemicals in the darkroom:
1st tray developer reveals the image
2nd tray STOP BATH halts development
3rd tray FIXER makes image light resistant and permanent
4th tray WATER BATH removes remaining fixer and becomes archival
• Add light to print to make a section darker? BURNING
• Subtract or block light to make a section lighter? DODGING
Wednesday, November 29, 2017
Wednesday, November 15, 2017
Final Portfolio
Applying skills and techniques learned in previous projects, create a cohesive set of photographs that work together as a series, chronologically, connected visually, or united by a common concept or idea.
In developing your concept, consider the following:
· Do the images work as a series in tonal range, exposure and composition? Do they look like a series?
· Do the images work together to create a new meaning or understanding that would not be possible with single, separate images?
Minimum 5 images matted. You may optionally add 3 more images for a total of 8 image: 5 window matted & 3 un window matted.
HOW GRADED
• do your have 2 or more contact sheets
• 5 window matted photos
• Lighting, technical proficiency example no blurring pictures, thoughtful compositions.
• Single subject (not scattered)
• Show ambition
Wednesday, October 18, 2017
Film Bracketing Assignment
DESCRIPTION
Record these seven subjects with the 5 bracketed exposure.
Use these apertures match the shutter speed to zero then change apertures according to list below with out changing the shutter speed. Only change the shutter when you change to a new scene/subject. Meter for each new scene/subject. When bracketing for that scene do not change the shutter.
Aperture 8 (0/Normal Exposure)
Aperture 5.6 (+1)
Aperture 4 (+2)
Aperture 11 (-1)
Aperture 16 (-2)
SUBJECTS
1. Architecture
2. Portrait
3. Plants
4. Landscape
5. Still Life
6. Shadows
7. Lines
STEP BY STEP
1. Manual mode
2. Aperture F8
3. Meter scene adjust shutter so meter reads zero
4. Record exposures in in log
5. Take pictures focus properly
6. Bracket with different apertures do not change the shutter
7. Record all exposures
NOTES
• Use a tripod
• Auto focus
• Manual mode
• Meter on matrix mode
Record these seven subjects with the 5 bracketed exposure.
Use these apertures match the shutter speed to zero then change apertures according to list below with out changing the shutter speed. Only change the shutter when you change to a new scene/subject. Meter for each new scene/subject. When bracketing for that scene do not change the shutter.
Aperture 8 (0/Normal Exposure)
Aperture 5.6 (+1)
Aperture 4 (+2)
Aperture 11 (-1)
Aperture 16 (-2)
SUBJECTS
1. Architecture
2. Portrait
3. Plants
4. Landscape
5. Still Life
6. Shadows
7. Lines
STEP BY STEP
1. Manual mode
2. Aperture F8
3. Meter scene adjust shutter so meter reads zero
4. Record exposures in in log
5. Take pictures focus properly
6. Bracket with different apertures do not change the shutter
7. Record all exposures
NOTES
• Use a tripod
• Auto focus
• Manual mode
• Meter on matrix mode
Wednesday, October 4, 2017
Creative Camera Control
Contact Sheet 1
Row 1 - Depth of Field Aperture changes (5.6, 8, 11, 16, 22)
Row 2 - Depth of Field Focal Length Changes ( 18mm, 24mm, 35mm, 45mm, 55mm)
Row 3 - Depth of Field Distance from Subject Changes (2ft, 5 ft , 10ft, 15ft, 20ft)
Row 4 - Meter a scene with a variety of values (Spot meter off white value, light grey value, middle grey value, dark grey, black)
Row 5 - White Balance (Daylight, Cloudy or Shade, Tungsten, Fluorescent, Custom)
Row 6 - 5 different shutter speeds. Put camera on TV or S place camera on Auto ISO (1/125, 1/30, 1/8 , 1sec, 8 sec)
Row 7 - Zoom blur. Change the focal length during exposure. (Shutter slow 2 to 8 seconds)
Contact Sheet 2
Row 1 - Shift camera during long exposure. Put camera on TV or S on Auto ISO (Use a slow shutter speed 8 seconds to 20 seconds.
Row 2 - Panning. Follow moving subject using 1/4, 1/15, and 1/30. Place camera on Tv or S and Auto ISO.
Row 3 - Stop action. Place your camera on 1/500, 1/1000, or 1/2000. Take picture some sort of action. Place you camera on auto iso and TV or S.
Row 4 - Lighting (TV ISO 8oo-1600) 1. Shadow Diffused 2. Back lighting 3. Side Lighting 4. Front Lighting 5. Choice
Row 5 - Silhouette/Indoor outdoor 2 lighting situations in one scene (Manual ISO 1600) Put aperture on 22 get normal or zero meter reading then bracket downwards without changing your shutter using 22, 16, 11, 8, 5.6
Row 6 & 7 - Your choice of images
Row 1 - Depth of Field Aperture changes (5.6, 8, 11, 16, 22)
Row 2 - Depth of Field Focal Length Changes ( 18mm, 24mm, 35mm, 45mm, 55mm)
Row 3 - Depth of Field Distance from Subject Changes (2ft, 5 ft , 10ft, 15ft, 20ft)
Row 4 - Meter a scene with a variety of values (Spot meter off white value, light grey value, middle grey value, dark grey, black)
Row 5 - White Balance (Daylight, Cloudy or Shade, Tungsten, Fluorescent, Custom)
Row 6 - 5 different shutter speeds. Put camera on TV or S place camera on Auto ISO (1/125, 1/30, 1/8 , 1sec, 8 sec)
Row 7 - Zoom blur. Change the focal length during exposure. (Shutter slow 2 to 8 seconds)
Contact Sheet 2
Row 1 - Shift camera during long exposure. Put camera on TV or S on Auto ISO (Use a slow shutter speed 8 seconds to 20 seconds.
Row 2 - Panning. Follow moving subject using 1/4, 1/15, and 1/30. Place camera on Tv or S and Auto ISO.
Row 3 - Stop action. Place your camera on 1/500, 1/1000, or 1/2000. Take picture some sort of action. Place you camera on auto iso and TV or S.
Row 4 - Lighting (TV ISO 8oo-1600) 1. Shadow Diffused 2. Back lighting 3. Side Lighting 4. Front Lighting 5. Choice
Row 5 - Silhouette/Indoor outdoor 2 lighting situations in one scene (Manual ISO 1600) Put aperture on 22 get normal or zero meter reading then bracket downwards without changing your shutter using 22, 16, 11, 8, 5.6
Row 6 & 7 - Your choice of images
Saturday, September 30, 2017
MIDTERM OCTOBER MONDAY 16
1. APERTURE controls amount of light.
2. SHUTTER SPEED controls the amount of time
3. Meter evaluates the brightness/intensity of light
4.Dodging - subtracting light/time from a print in the darkroom. Makes sections of photo lighter in value. Term used in photoshop to describe making a section lighter value.
5. Burning - adding light/time to a print in the darkroom. Makes sections darker value. Term used Photoshop to describe making a section darker value.
6. ISO/ASA - how sensitive film or digital sensor is to light. Smaller the number less sensitive/bigger more sensitive to light.
7. (Colloidal Process) Requires the photographic material to be coated, sensitized, exposed and developed within the span of about fifteen minutes and creates a negative.
8. (Daguerreotype)Photographic process employing an iodine-sensitized silvered copper plate and mercury vapor to create a single image.
9. (Calotype) an early photographic process in which negatives were made using paper coated with silver iodide.
10. Silver Gelatin dry plate process, one step process, allows for some portability since you no longer need a portable darkroom
11. Cyanotype Non silver process that creates a blue image.
12. Albumen Eggs whites are used to create this printing process.
13. Depth of field is effected by 3 things: A} Aperture B} Distance from subject C} Choice of focal length
14. Reflective Meter reads light bounces off subject.
15. Incident Meter reads light falling on the subject.
16. Prime Lens Single Focal length
17. Zoom Lens Multiple Focal Length
18. Telephoto Lens 70mm - 500mm(focal length full frame or 35mm) Magnifies what you photographing
19. Wide Angle Lens 24mm-35mm (focal length full frame or 35mm) Wider coverage to photograph more space
20. Normal Lens 50mm (focal length full frame or 35mm) Approximates what the human eye sees
Meter Modes
1. Spot
2. Evaluative/Matrix
3. Center Weighted
• Memorize these apertures
2.8, 4, 5.6, 8, 11,16, 22
• Memorize these shutter speeds
1, 1/2, 1/4, 1/8, 1/15, 1/30, 1/60, 1/125, 1/250, 1/500, 1/1000
Types of camera's
1. Rangefinder (Leica M)
2. SLR single lens reflex (Canon Rebel)
3. Medium Format (Hasselblad)
4. Large format view camera (Accordion)
White Balance Symbols
2. SHUTTER SPEED controls the amount of time
3. Meter evaluates the brightness/intensity of light
4.Dodging - subtracting light/time from a print in the darkroom. Makes sections of photo lighter in value. Term used in photoshop to describe making a section lighter value.
5. Burning - adding light/time to a print in the darkroom. Makes sections darker value. Term used Photoshop to describe making a section darker value.
6. ISO/ASA - how sensitive film or digital sensor is to light. Smaller the number less sensitive/bigger more sensitive to light.
7. (Colloidal Process) Requires the photographic material to be coated, sensitized, exposed and developed within the span of about fifteen minutes and creates a negative.
8. (Daguerreotype)Photographic process employing an iodine-sensitized silvered copper plate and mercury vapor to create a single image.
9. (Calotype) an early photographic process in which negatives were made using paper coated with silver iodide.
10. Silver Gelatin dry plate process, one step process, allows for some portability since you no longer need a portable darkroom
11. Cyanotype Non silver process that creates a blue image.
12. Albumen Eggs whites are used to create this printing process.
13. Depth of field is effected by 3 things: A} Aperture B} Distance from subject C} Choice of focal length
14. Reflective Meter reads light bounces off subject.
15. Incident Meter reads light falling on the subject.
16. Prime Lens Single Focal length
17. Zoom Lens Multiple Focal Length
18. Telephoto Lens 70mm - 500mm(focal length full frame or 35mm) Magnifies what you photographing
19. Wide Angle Lens 24mm-35mm (focal length full frame or 35mm) Wider coverage to photograph more space
20. Normal Lens 50mm (focal length full frame or 35mm) Approximates what the human eye sees
Meter Modes
1. Spot
2. Evaluative/Matrix
3. Center Weighted
• Memorize these apertures
2.8, 4, 5.6, 8, 11,16, 22
• Memorize these shutter speeds
1, 1/2, 1/4, 1/8, 1/15, 1/30, 1/60, 1/125, 1/250, 1/500, 1/1000
Types of camera's
1. Rangefinder (Leica M)
2. SLR single lens reflex (Canon Rebel)
3. Medium Format (Hasselblad)
4. Large format view camera (Accordion)
White Balance Symbols
Wednesday, September 27, 2017
Depth of Field Exercise
1 APERTURE changes
• Things remain constant 1. Distance from subject please 3 ft or closer from something 2. ISO 800 3. Do not change your focal length(Don't use the wide focal length on our cameras that is 18mm.
Place in AV mode cycle through these 5 apertures
5.6, 8, 11, 16, 22
2. DISTANCE changes
• Things remain constant 1. Aperture 2. Focal length 3. Keep iso at 800
2ft. , 5ft. , 10ft. , 15ft. , 20ft.
3. FOCAL LENGTH changes
• Things remain constant 1. Aperture use 11 2. Distance from subject 2-4 ft away from subject 3. ISO 800
Use these focal length
18mm, 24mm, 35mm, 45mm, 55mm
• Things remain constant 1. Distance from subject please 3 ft or closer from something 2. ISO 800 3. Do not change your focal length(Don't use the wide focal length on our cameras that is 18mm.
Place in AV mode cycle through these 5 apertures
5.6, 8, 11, 16, 22
2. DISTANCE changes
• Things remain constant 1. Aperture 2. Focal length 3. Keep iso at 800
2ft. , 5ft. , 10ft. , 15ft. , 20ft.
3. FOCAL LENGTH changes
• Things remain constant 1. Aperture use 11 2. Distance from subject 2-4 ft away from subject 3. ISO 800
Use these focal length
18mm, 24mm, 35mm, 45mm, 55mm
Wednesday, September 20, 2017
Bracketing Assignment
7 scenes with 5 bracketed of each scene (Total of 35 frames)
Normal F11
+1 F8
+2 F5.6
-1 F16
-2 F22
Shutter speed 125 or faster adjust ISO accordingly do not have ISO on auto ISO
Normal F11
+1 F8
+2 F5.6
-1 F16
-2 F22
Shutter speed 125 or faster adjust ISO accordingly do not have ISO on auto ISO
Wednesday, September 6, 2017
Camera Checklist
•Turn it on
•Program Dial (TV or S)
•Shutter Dial
•Aperture (AV Button)
•Meter
•Focus
•White Balance (WB –
Auto {AWB})
•ISO (AUTO ISO)
•Lens (Auto focus & Stabilizer On)
•Image Quality ( RAW )
•Don’t drop the camera or leave in hot car
•Delete photos
Wednesday, August 30, 2017
Wednesday, May 31, 2017
Final
• Know Manual mode, A or AV Mode, S or TV Mode.
• White balance symbols.
• Define RAW file
• Metadata
• Crop Factor (When switch from full frame camera to a apc-c and your lens focal stays constant what should you consider?)
• Sensor Size (4/3's, APS-C, & Full Frame) Be able to identify which is larger or smaller in relation to each other. In general which what qualities will the larger sensor have 1) Less Noise 2) Better image quality in low light 3.) Increases number of pixels
• Histogram ( Represents a distribution of values in digital photograph)
• 3 ways you can control depth field ( 1. Aperture 2. Focal Length of lens 3. Distance from subject)
• Panning ( Follow moving subject maintaining subject in same position in frame during the duration of your exposure )
• Reflected light ( Light bouncing of a subject )
• Incident light Meter ( Light falling on subject )
• 3 different types of light meters normally found in your digital camera ( Spot, Center Weighted, & evaluative )
• What Percent grey is a grey card? ( 18 % )
• If I have a meter situation where the shutter speed is ____ and the aperture is ____ & I want an equivalent exposure & I change the aperture to ______ what is my shutter speed?
• If I have a metered situation where the shutter speed is ______ and the aperture _____ & I want an equivalent exposure & I change the shutter speed to _____ what is my aperture?
• Shutter Speeds ( 1, 2, 4, 8,15, 30, 60, 125, 250, 500, 1000 )
• Apertures ( 2, 2.8, 4, 5.6, 8, 11, 16, 22 )
• Write a paragraph about artist chosen from website ( Masters-of-photography ) discuss bio and content of photography. RESEARCH BEFORE EXAM
ª Digram the gold ration and the rule of thirds
• COMPOSITION ( Line, Shape, Foreground, Background, Balance, Pattern, Texture, Simplicity, Value)
• Identify these tools in Lightroom ( Crop Overlay, Spot Removal, Red Eye Correction, Graduated Filter, Radial Filter, Adjustment Brush)
• Aperture amount light
• Shutter amount time
• ISO sensitivity light
• Spotting or retouching removing dust with ink on black and white prints
• White balance symbols.
• Define RAW file
• Metadata
• Crop Factor (When switch from full frame camera to a apc-c and your lens focal stays constant what should you consider?)
• Sensor Size (4/3's, APS-C, & Full Frame) Be able to identify which is larger or smaller in relation to each other. In general which what qualities will the larger sensor have 1) Less Noise 2) Better image quality in low light 3.) Increases number of pixels
• Histogram ( Represents a distribution of values in digital photograph)
• 3 ways you can control depth field ( 1. Aperture 2. Focal Length of lens 3. Distance from subject)
• Panning ( Follow moving subject maintaining subject in same position in frame during the duration of your exposure )
• Reflected light ( Light bouncing of a subject )
• Incident light Meter ( Light falling on subject )
• 3 different types of light meters normally found in your digital camera ( Spot, Center Weighted, & evaluative )
• What Percent grey is a grey card? ( 18 % )
• If I have a meter situation where the shutter speed is ____ and the aperture is ____ & I want an equivalent exposure & I change the aperture to ______ what is my shutter speed?
• If I have a metered situation where the shutter speed is ______ and the aperture _____ & I want an equivalent exposure & I change the shutter speed to _____ what is my aperture?
• Shutter Speeds ( 1, 2, 4, 8,15, 30, 60, 125, 250, 500, 1000 )
• Apertures ( 2, 2.8, 4, 5.6, 8, 11, 16, 22 )
• Write a paragraph about artist chosen from website ( Masters-of-photography ) discuss bio and content of photography. RESEARCH BEFORE EXAM
ª Digram the gold ration and the rule of thirds
• COMPOSITION ( Line, Shape, Foreground, Background, Balance, Pattern, Texture, Simplicity, Value)
• Identify these tools in Lightroom ( Crop Overlay, Spot Removal, Red Eye Correction, Graduated Filter, Radial Filter, Adjustment Brush)
• Aperture amount light
• Shutter amount time
• ISO sensitivity light
• Spotting or retouching removing dust with ink on black and white prints
Monday, May 22, 2017
Wednesday, May 17, 2017
Single subject/theme final project
DUE MONDAY JUNE 5
FINAL WEDNESDAY JUNE 7 9:10am to 11:30am (Final test and Critique)
Minimum 5 images matted. You may optionally add 3 more images for a total of 8 image: 5 window matted & 3 un window matted.
• In Lightroom in the Print module place 5 images in 8 x 10 inch template and change:
A. Cell size to 7.2 inches and 10.19 inches B. Place name to left or right side of image
• Submit digitally on VAC Transfer 3 contact sheets or more 35 frames each with a) Name b) Photo info
: ISO, Focal length, Exposure
HOW GRADED
• do your have 3 or more contact sheets
• 5 window matted photos and 3 extras
• Lighting, technical proficiency example no blurring pictures, thoughtful compositions.
• Single subject (not scattered)
• Show ambition
• Editing images both through choice good images and through improving images by using Lightroom.
Wednesday, May 10, 2017
CAMERA CONCEPTS
CONTACT SHEET 1
ISO SHOULD SET AT 400 or 800
DEPTH OF FIELD (APERTURE PRIORITY MODE)
ROW 1) Aperture - shoot 5.6, 8, 11, 16, 22 {Distance and Focal Length Constant}
ROW 2) Focal Length - 18mm, 24mm, 35mm, 45mm, 55mm {Distance and Aperture Constant}
ROW 3) Distance - 2ft, 4ft, 8ft, 12ft, & 16ft {Aperture and focal length Constant}
SPOT METERING (MANUAL MODE)
ROW 4) Spot metering of 5 values from white to middle grey to black {Use Manual mode}
WHITE BALANCE (SHUTTER PRIORITY)
ROW 5) Photograph same scene using 5 different white balance modes {Daylight, Shade, Cloudy, Tungsten, & Fluorescent}
ROW 6 & 7) Custom white balance using grey card, red color, blue color, green color, yellow color. (10 Frames include image used to create custom white balance)
CONTACT SHEET 2
SHUTTER SPEED
ROW 1) Photograph same scene in classroom with these settings in classroom. TV Mode ( 1/125 second - ISO 3200, 1/30 second - ISO 3200, 1/8 second ISO 100, 1 second ISO 100, 4 second ISO 100)
ROW 2) Use five frames to create five different zoom blurs (TV Mode. ISO 100. Interior light. Shutter speed 2 seconds or slower)
ROW 3) Use five frames to create light trail using your phone flashlight (TV Mode. ISO 100. Interior light, Shutter speed 4 seconds or slower)
ROW 4) Panning follow action thing moving will be semi focus and background out of focus. ( 1. Left to right or right to left follow action, 2. Long focal length, 3. Slow shutter speed, 4. Shutter priority, 5. AI or continuous focus mode, 6. Use center focus point, 7. Continuous drive mode)
ROW 5) Move camera on tripod during long exposure. Seeming a double exposure. (Use 10 seconds or slower and an ISO of 100)
ROW 6 &7) Capturing action fast shutter speed. ( 1. Shutter priority, 2. AI or continuous focus mode, 3. Image stabilization on, 4. Continuous drive )
ISO SHOULD SET AT 400 or 800
DEPTH OF FIELD (APERTURE PRIORITY MODE)
ROW 1) Aperture - shoot 5.6, 8, 11, 16, 22 {Distance and Focal Length Constant}
ROW 2) Focal Length - 18mm, 24mm, 35mm, 45mm, 55mm {Distance and Aperture Constant}
ROW 3) Distance - 2ft, 4ft, 8ft, 12ft, & 16ft {Aperture and focal length Constant}
SPOT METERING (MANUAL MODE)
ROW 4) Spot metering of 5 values from white to middle grey to black {Use Manual mode}
WHITE BALANCE (SHUTTER PRIORITY)
ROW 5) Photograph same scene using 5 different white balance modes {Daylight, Shade, Cloudy, Tungsten, & Fluorescent}
ROW 6 & 7) Custom white balance using grey card, red color, blue color, green color, yellow color. (10 Frames include image used to create custom white balance)
CONTACT SHEET 2
SHUTTER SPEED
ROW 1) Photograph same scene in classroom with these settings in classroom. TV Mode ( 1/125 second - ISO 3200, 1/30 second - ISO 3200, 1/8 second ISO 100, 1 second ISO 100, 4 second ISO 100)
ROW 2) Use five frames to create five different zoom blurs (TV Mode. ISO 100. Interior light. Shutter speed 2 seconds or slower)
ROW 3) Use five frames to create light trail using your phone flashlight (TV Mode. ISO 100. Interior light, Shutter speed 4 seconds or slower)
ROW 4) Panning follow action thing moving will be semi focus and background out of focus. ( 1. Left to right or right to left follow action, 2. Long focal length, 3. Slow shutter speed, 4. Shutter priority, 5. AI or continuous focus mode, 6. Use center focus point, 7. Continuous drive mode)
ROW 5) Move camera on tripod during long exposure. Seeming a double exposure. (Use 10 seconds or slower and an ISO of 100)
ROW 6 &7) Capturing action fast shutter speed. ( 1. Shutter priority, 2. AI or continuous focus mode, 3. Image stabilization on, 4. Continuous drive )
Monday, April 10, 2017
DIGITAL CAMERA CHECKLIST
• Aperture
• Shutterspeed
• ISO
• Turn on camera
• Insert SD card
• Charging battery
• Reading Meter
• Program set manual
• Focus (1) Program focus points (2) Use auto focus
• Shoot in Raw file format
• White balance set either AWB or Daylight (If outside)
• Don't drop camera
• Reviewing images / deleting images
7 scenes with 5 bracketed of each scene (Total of 35 frames)
Normal F11
+1 F8
+2 F5.6
-1 F16
-2 F22
Shutter speed 125 or faster adjust ISO accordingly
• Shutterspeed
• ISO
• Turn on camera
• Insert SD card
• Charging battery
• Reading Meter
• Program set manual
• Focus (1) Program focus points (2) Use auto focus
• Shoot in Raw file format
• White balance set either AWB or Daylight (If outside)
• Don't drop camera
• Reviewing images / deleting images
7 scenes with 5 bracketed of each scene (Total of 35 frames)
Normal F11
+1 F8
+2 F5.6
-1 F16
-2 F22
Shutter speed 125 or faster adjust ISO accordingly
MIDTERM SPRING 17
2.8, 4, 5.6, 8, 11, 16, 22
MEMORIZE SHUTTERSPEEDS
1, 2, 4, 8, 15, 30, 60, 125, 250, 500, 1000
EQUIVELENT APERTURE AND SHUTTER SPEED QUESTION
If the aperture is 11 at shutter speed 125 and you change the aperture to 22 what will be your shutter speed if you want an equivalent exposure? ANSWER SHUTTER SPEED 30
If the shutter speed is 125 and aperture 16 and I change the shutter speed to 1000 what will be my aperture? ANSWER 5.6
• What controls the amount light that exposes film or your sensor? APERTURE
• What controls the amount of time that light exposes your film or sensor? SHUTTER SPEED
• What camera feature measures the intensity of light present in the scene? METER
• Film or sensor's sensitivity to light? FILM SPEED / ISO
• As ISO number becomes larger what are the consequences? MORE GRAIN AND MORE SENSITIVE TO LIGHT
• Chemicals in the darkroom:
1st tray developer reveals the image
2nd tray STOP BATH halts development
3rd tray FIXER makes image light resistant and permanent
4th tray WATER BATH removes remaining fixer and becomes archival
• Add light to print to make a section darker? BURNING
• Subtract or block light to make a section lighter? DODGING
• Contrast filters which direction in number increases or decreases contrast? Filter 1 will decrease vs Filter 5 increase contrast
• Camera Types 1) RANGEFINDER 2) SLR single lens reflix 3) Medium format camera (Hasselblad) 4) Large Format View Camera or Field Camera
LENS QUESTIONS
• Prime lens focal length fixed
• Zoom lens multiple focal lengths
• WIDE ANGLE LENS 1) Allows more of the scene to be in the photograph 2) 35mm or full frame camera 35MM-20mm
• NORMAL LENS approximates how humans see things and 35mm or full frame camera focal is 50mm
• TELEPHOTO 35mm or full frame is 70 mm to 500 mm magnifies what you are photographing great for sports or wild photography
Wednesday, March 1, 2017
Assignment 1
Assignment # 1: Photographs not Snapshots ( 10 pts)
Use one roll of film to create a portrait of a classmate. Remember to use some simpleideas to turn the would-be snapshots into photographs:
RULE OF THIRDS
Divide frame to three parts vertically and horizontally and place subject where the lines crossas opposed to center.
POINT OF VIEW
Change your point of view. Instead of eye level try above, below and behind.
DISTANCE AND PLACEMENT
Come close and move far back. Do not be afraid to get close!
FRAMING
Use these 4 types of framing in at least 16 exposures. The other 20 please keep in mind the visual ideas listed above.
Film Camera Checklist
1. Don't drop, leave sun, water, be gentle, don't use force on any levers. (Don't lose things example lens cap)
2. ISO dial set to 400 ( The smaller the number less light sensitive more difficult on low situations, less grain, sharper, better the contrast) 50, 100, 125, 400, 3200
3. Focus
4. Zoom lens which multiple focal lengths ( 35mm wide angle, 50mm normal angle, 70mm telephoto)
5. Use 35mm wide angle and use the green dot to choose aperture
6. Aperture (Amount of Light)
Big number less light, Smaller More light
Example 3.5 more light than 16
7. Shutter speed (Amount of Time light exposes film) Bigger number faster time
Example 1000 FASTER vs 30 slower
Use only 125, 250, or 500 - 250 or 500 best
8. Meter - green means go. (-) will mean not enough light (+) too much light
9. Loading Film
• Tab inserted properly
• film matches sprockets
• advance one frame close back camera
• Advance to #1 and start taking pictures
* Film loaded correctly if rewind is twirling. If you get frame 40 stop do not rewind film bring camera back to be checked in a dark room
10. Rewind film in camera. Press sprocket release button. (DON'T OPEN BACK TILL FILM IS REWOUND)
2. ISO dial set to 400 ( The smaller the number less light sensitive more difficult on low situations, less grain, sharper, better the contrast) 50, 100, 125, 400, 3200
3. Focus
4. Zoom lens which multiple focal lengths ( 35mm wide angle, 50mm normal angle, 70mm telephoto)
5. Use 35mm wide angle and use the green dot to choose aperture
6. Aperture (Amount of Light)
Big number less light, Smaller More light
Example 3.5 more light than 16
7. Shutter speed (Amount of Time light exposes film) Bigger number faster time
Example 1000 FASTER vs 30 slower
Use only 125, 250, or 500 - 250 or 500 best
8. Meter - green means go. (-) will mean not enough light (+) too much light
9. Loading Film
• Tab inserted properly
• film matches sprockets
• advance one frame close back camera
• Advance to #1 and start taking pictures
* Film loaded correctly if rewind is twirling. If you get frame 40 stop do not rewind film bring camera back to be checked in a dark room
10. Rewind film in camera. Press sprocket release button. (DON'T OPEN BACK TILL FILM IS REWOUND)
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